Interviews

Interviews with great trumpet players from all over the world: classical soloists, jazz performers, legendary educators…
Stanley Friedman: «Most technical/physical issues can be solved by focusing on the music itself»

Today we have the honor of interviewing a celebrity trumpeter, composer and director, Stanley Friedman, who also shares a preview of his soon to be published book with Premium members of Trumpetland — the book is called “Symmetrical Studies” (exercises and warm-ups designed to increase the register, maintain constant airflow and centering notes). Thank you, Stanley!

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Philippe Litzler: «My teacher, Pierre Thibaud, told us all the time — ‘you should know your trumpet concerti at 150% to be able to play it at 90% during an audition or exam.’»

Today we have the pleasure of interviewing Philippe Litzler, principal of the Tonhalle Orchester Zürich and professor at the Lucerne School of Music (Switzerland), a European exponent (student of Thibaud in Paris) who also wanted to share a basic practice routine that he designed for his students with the Premium members of Trumpetland. Thanks, Philippe!

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Arturo Sandoval: «When you have a good sound, you can play just two notes and the entire world appreciates it; with a bad sound, you can play two million notes and nobody will pay attention»

You can not imagine how much we wanted to publish this interview. Our guest today needs no introduction. All of us have grown up listening to his music, which has served as an inspiration for generations of trumpet players. Even those who are not musicians have ever heard his name: Arturo Sandoval. It is an honor for us that he shares his knowledge with Trumpetland and an exercise for Premium members!

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Mary Bowden: «If you can sing a piece with the correct pitches, it will be so much easier on the trumpet»

The trumpeter that we have the pleasure of interviewing today is a young woman of 35 years, who knows how to form her own career as a concert artist, even after the demanding work with several groups that she has also founded (Seraph Brass and Chrysalis Chamber Players), and teaching as an artist in residence at the University of North Carolina School of the Arts (USA). Even more, she is a professor in Trumpetland! Don’t miss out of the PDF exercises that she shares with our Premium members, for free.

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Edward H. Tarr: «Musicianship is just as important as technique»

Out interviewee today is without doubt one of the people that has most investigated and has published more than anyone in respects to the trumpet and its history. A large part of the bibliography that we have regarding our instrument, we owe to him. He was the professor of the Schola Cantorum Basiliensis for 30 years, and possessor of an innumerable amount of awards and distinctions. It is a grand honor to have him with us in Trumpetland, so don’t miss this interview! Especially the PDF of exercises that he shares with our Premium members!

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David Baldwin: «I can give my students a boat-load of ideas and materials, but their drive to get better is their own»

He is known worldwide for his mythical recording of Charlier’s 36 Études transcendantes. He was a student of the legendary Duro, Vacchiano, Crisara, Nagel, Cichowicz, Adelstein and Gorham, and has been teaching at the University of Minnesota for more than 40 years. Today in Trumpetland, we have the honor of publishing an interview we had with him and would like to share it with all of you. A must read!

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Huw Dann: «If you never practice getting tired, you'll never get tired»

He studied in his country, Australia, but also at Chosen Vale (USA), where he garnered knowledge from the likes of Hardenberger, Stevens, Gould, Stockhausen, Burns, Carroll and Cassone. On his return home, he began to collaborate with important orchestras until joining the Auckland Philharmonia of New Zealand where, at the age of 33, he is now the principal trumpet while also teaching at the University of Auckland. This is an opportunity to learn from what he has to teaching.

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Markus Stockhausen: «The muscles have good memory and once the embouchure is set you don’t have to do the daily routines every day»

Trumpetland has the honor of interviewing one of the greatest musicians out there today. He was born in a family where music was as necessary as breathing (his father was the famous German composer Karlheinz Stockhausen). He has studied with the greats (Platt, Caruso, Thibaud, Groth, Stevens…), and for years he has played all kinds of musical genres, dazzling the public and critics all over the world. You cannot miss this interview!

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John Foster: «You can be the world's greatest technician on the trumpet, but without great musicianship, all that great trumpet playing is wasted»

Today, our interviewee is one of the key people of today's Australia trumpet world. He studied in both Australia and the United Kingdom with some of the best baroque and modern trumpet players. He was a member of the Auckland Philharmonia and the Sydney Symphony, teacher at the Sydney Conservatorium, and is currently trumpet and artistic director of the Australian Baroque Brass as well as the director of the Australasian Trumpet Academy. His tips for managing stage anxiety are great!

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